Guide
How to organize a wedding gallery into sections
Which sections a wedding gallery needs, how many, what to call them, what order they go in, where black and white belongs, and what should never be left unsorted.
Organize a wedding gallery into 6 to 10 sections in the order of the day, named in plain words the couple’s grandmother would understand, with a short Highlights section first, a Family section the parents can find in 1 tap, and black and white conversions in their own section at the end. Leave nothing unsorted at delivery: an unsorted bucket tells the couple you ran out of time.
That is the whole method. The rest of this page is the section list, the counts, the naming rules, and the 3 decisions photographers get wrong.
The standard sections
For a full-day wedding of 600 to 900 delivered photos, this structure works:
| Order | Section | Rule-of-thumb count | Notes |
|---|---|---|---|
| 1 | Highlights | 50 to 80 | The best of the day, in chronological order. What the couple shares first. |
| 2 | Getting Ready | 60 to 100 | Both partners. Details (dress, rings, invitations) can go here or in their own section. |
| 3 | Details | 20 to 40 | Optional as a separate section. Skip it under 20 photos and fold them into Getting Ready and Reception. |
| 4 | First Look | 15 to 30 | Only if there was one. Otherwise these frames go in Portraits. |
| 5 | Ceremony | 80 to 120 | Processional to recessional, including the guests’ reactions. |
| 6 | Family | 30 to 60 | Every grouping, in the order shot. Name it Family, not Formals. |
| 7 | Wedding Party | 30 to 60 | Full group, each side, pairs. |
| 8 | Portraits | 40 to 80 | The couple alone, all locations, all times of day. |
| 9 | Reception | 150 to 250 | Entrance through the last dance. Split into Reception and Dancing if it passes 250. |
| 10 | Black and White | 40 to 80 | Conversions only. See below. |
Ten sections is the ceiling. On a phone, section tabs scroll sideways, and past 10 the last few are never seen. If the day was short, merge: First Look into Portraits, Details into Getting Ready, and you are at 7.
An elopement or a 6-hour wedding needs 4 or 5: Highlights, Getting Ready, Ceremony, Portraits, Reception. How many photos to deliver for a wedding has the counts that feed these numbers.
Highlights first
A Highlights section of 50 to 80 photos at the top does 3 jobs. The couple opens the gallery and sees the best of the day without scrolling through 90 getting-ready frames. Guests who were sent the link see a curated set. And when the couple posts, they post from Highlights, which means your strongest work is what goes public.
Every photo in Highlights also lives in its chronological section. Do not remove it from Ceremony because it is in Highlights; the couple will look for it there.
If you sent sneak peeks the week after the wedding, Highlights is where they land, expanded. Sneak peeks: when and how many covers that first send.
Naming
Use the couple’s words, not yours:
- Getting Ready, not Prep or Bridal Prep.
- Ceremony, not Vows.
- Family, not Formals or Family Formals. Parents look for the word Family.
- Wedding Party, not Bridal Party, unless the couple used that term.
- Portraits or Couple, not Romantics or Golden Hour.
- Reception, then Dancing if split.
One or 2 words each. No first names in section titles, because the couple has 2 families reading the same tabs and “Emma’s Family” reads as ownership. No inside jokes. No emoji. Use the same names on every wedding you deliver; it is one less decision per gallery, and repeat clients and referred couples recognize the structure.
For a wedding with 2 ceremonies, or a multi-day event, name by the event: Sangeet, Ceremony, Tea Ceremony, Reception. Ask the couple for the spelling they use.
Order
Chronological, after Highlights. The couple relives the day in order, and every guest knows where the ceremony sits relative to the reception. The only sections that break chronology are Highlights at the front and Black and White at the back.
Inside each section, sort by capture time. If 2 cameras were shooting, sync the clocks before the day or fix the offset in Lightroom before export, because a second shooter’s frames 4 minutes out of step scramble the ceremony. Keep a manual order only where you have moved a photo deliberately, such as the first frame of a section being the strongest one, which is worth doing for every section: the first photo is the tab’s thumbnail on many platforms.
Where black and white goes
Three options, and the choice is yours as long as it is consistent:
- A Black and White section at the end. The most common choice. Conversions of photos that also exist in color elsewhere. The couple gets both, and the color sections stay clean.
- Interleaved. The black and white version sits next to its color version in the chronological section. It doubles the visible count of those photos and makes the sections feel padded. Use it only for a small set, under 30, where the black and white is the intended version.
- Black and white only. Some photos exist only as conversions, because color did not work: mixed lighting at the reception, a grim getting-ready room. Those go in their chronological section, not in the Black and White section, because they are not a second version of anything.
Do not convert everything. A rule of thumb is 10% of the delivery, chosen because the frame is better without color, not because it fills a section. A Black and White section of 300 tells the couple you batch-applied a preset.
What stays unsorted
Nothing, at delivery. If the platform has an Unsorted or All Photos area, it is a working space for you, not a section the couple should see with photos still in it. Before you publish, either the unsorted count is 0 or every photo there is a deliberate duplicate of one already placed.
The exception is a tiny gallery: under 100 photos, 1 section named for the day is fine, and sections would be ceremony.
The mechanics
Sort in Lightroom first, not in the gallery. Add a section keyword or color label per photo during the cull, export by section into subfolders, and upload each subfolder to its section. Moving 800 photos between sections by drag-select in a browser is possible but slow. Culling workflow for weddings covers the labeling step.
In FOCL Galleries each section is a tab the couple sees, you drag tabs to reorder them, drag-select to move photos between them, and a My order sort keeps any manual placement. The help center has the mechanics under sections. If your platform has a photo search for guests, tag the moment photos (first look, first dance, cake) so a guest searching for “first dance” gets exact results rather than everything from the reception.
Three sections tend to help the couple later: Family, because that is where the print orders come from; Highlights, because that is what goes on social media; and Portraits, because that is where the album starts. Album design from client favorites picks up from there.
Sections the couple sees as tabs
In FOCL Galleries, sections are tabs across the top of the gallery. Drag to reorder them, drag-select photos to move them, and keep your own arrangement with the My order sort.
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